SIGHT SPECIFIC

Curatorial Art Practice in London

Peter Lamb in Iceland: LONDON Utd.

Peter Lamb, Ice leaning forwards and Falling Rock Purple Smoke, 2013, installation view. Courtesy the Artist and Kling&Bang Gallery

Peter Lamb, Ice leaning forwards and Falling Rock Purple Smoke, 2013, installation view. Courtesy the Artist and Kling&Bang Gallery

As British politics started once again to chase its own tail against the background of further vicious cuts to the arts the artist Dominic Allan, aka Dominic from Luton, took matters in to his own hand to fly the flag for Britain. No self-proclaiming jingoism here, just a desire to make things happen: willpower over budget: ambition and talent superseding any economic imperative. On-going conversations with Kling & Bang, an internationally established Icelandic artist-run-space (based in Reykjavik), resulted in London Utd – not so much a celebration of London itself but the relationships that make it tick, via Luton, of course.

Peter Lamb, Falling Rock Purple Smoke, 2013, installation view. Courtesy the Artist and Kling&Bang Gallery

Peter Lamb, Falling Rock Purple Smoke, 2013, installation view. Courtesy the Artist and Kling&Bang Gallery

All of the works in the exhibition present the dramatic, glorious point where everything sits on the edge of the abyss, looks down and laughs, poking fun at the sheer audacity of chaos. Mark Titchner’s emblematic work, The World Isn’t Working, has been translated into Icelandic and realised in the red, white and blue of our symbiotic identities. Whilst subtly referencing the gentle typography of folk art the statement demands our attention mush as the glorious Trade Union banners, now housed in museums, shouted for the international rights of men and women. Another symbol of fading glories, the Transit van, becomes the centre-piece of Gavin Turk’s work Super Large Transit Mash Up, 2013. A direct homage to Warhol’s Car Crash series Turk’s work as ever comes with many layers, referencing that underbelly of British life, the white van man – his downfall underpinned as the Luton-based car factories collapse. Allan’s own work, Dominic from Luton as Paul Young, continues to unpick the demise of the hero – or perhaps provokes its resurrection. His pre–performance photograph as the 80’s icon, dressed in images of himself as himself, now singing for a pint in the local working men’s club, bravely looks you in the eye, demanding attention but asking for your confirmation nonetheless.

Peter Lamb, Falling rock purple smoke, 2013, installation view. Courtesy the Artist and Kling&Bang Gallery

Peter Lamb, Falling rock purple smoke, 2013, installation view. Courtesy the Artist and Kling&Bang Gallery

As honest appraisals of his journey through a work and deliberately sliding in and out of easy definition Peter Lamb’s diptych for London Utd highlights the role of the artist, artwork, studio and audience – all bound together in a complex, unfolding relationship. The familiar touchstone of his studio floor is reworked through photography and scale, overlaid with paint and studio materials, the work finally titled by his children. Chaos has been put in a box, allowed out on occasion to shake its finger at us all, allowing chance instead to reign supreme.

Peter Lamb, Ice leaning forwards 2013, installation view. Courtesy the Artist and Kling&Bang Gallery

Peter Lamb, Ice leaning forwards 2013, installation view. Courtesy the Artist and Kling&Bang Gallery

Exhibition runs: 7th July – 4th August 2013

Opening reception: 6th July 2013, 17:00

More information on the exhibition available at Kling and Bang Galleri

More information on Peter Lamb available at LaurentDelaye.com

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This entry was posted on 22 June 2013 by in News, Peter Lamb and tagged , , , , , .

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Gillian Wise Relief Construction 1966. From the exhibition 'British constructivism: The Catherine Petitgas Collection' until 11 June at Pallant House Gallery, Chichester.  www.laurentdelaye.com. #constructivism #pallanthousegallery #laurentdelaye #catherinepetitgas #britishart Norman Dilworth Structure Series 2A 1972. From the exhibition 'British constructivism: The Catherine Petitgas Collection' until 11 June. Works mirroring onto each others. Catherine Petitgas collection Fun and stimulating review on Jason Oddy and revolution from Sight Warde-Aldam''s bedroom and beyond

http://www.apollo-magazine.com/london-needs-a-spring-clean-or-perhaps-a-period-of-stagnation/?utm_content=buffer4899e&utm_medium=social&utm_source=twitter.com&utm_campaign=buffer  #art #architecture  #jasonoddy #oscarniemeyer  #BrazilEmbassyUK  #coyalondon_  #sitespecific  #photography  #contemporaryart  #london  #algeria  #Mucem  #contemporaryphotography  #photographylondon  #currentshow  #laurentdelaye Jason Oddy on Oscar Niemeyer, Communism, Algeria and Revolution
On 14 April at the Embassy of Brazil, London and 25 April at Coya London
@BrazilEmbassyUK  @coyalondon_  @laurentdelaye. #art #architecture  #jasonoddy #oscarniemeyer  #BrazilEmbassyUK  #coyalondon_  #sitespecific  #photography  #contemporaryart  #london  #algeria  #Mucem  #contemporaryphotography  #photographylondon  #currentshow  #laurentdelaye Jason Oddy on Oscar Niemeyer, Communism, Algeria and Revolution

Coming on 14 April at the Embassy of Brazil, London and on 25 April at Coya London

@BrazilEmbassyUK  @coyalondon_  @laurentdelaye. #art #architecture  #jasonoddy #oscarniemeyer  #BrazilEmbassyUK  #coyalondon_  #sitespecific  #photography  #contemporaryart  #london  #algeria  #Mucem  #contemporaryphotography  #photographylondon  #currentshow  #laurentdelaye

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